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Goth theater shows



So we meet again, little snarklings.

As promised, this week, I’ll be diving into Gothic shows. As I stated before, this is a part of a four week-long series in where I am diving into Gothic films, tunes, books and live shows.

Before I start, I feel as though it is only fair for me to point out that the only show I’ve seen that can even be called “Gothic” is Jekyll and Hyde starring Constantine Moralis and Deborah Cox. And that wasn’t even a Victorian Gothic show, like I expected for it to be- whoa no, there was hard rock ’n roll music going on full blast. To this very day, I swear the music did more damage to my hearing than anything else.

Let me start out with a review that I wrote for Jekyll and Hyde.

                “A few months ago, I saw the rock and roll musical, Jekyll and Hyde starring Constantine Maroulis as (both) title roles and Deborah Cox as Lucy Harris, the stripper who Hyde takes a fancy to. The show which was performed at the San Diego Civic Theater, was a disappointment.

                First off, the music was more rock and roll then classical, which was what I was expecting, with the show taking place in Victorian England. And speaking of out of place, the scenery was also modern, which threw me off a lot. I was thinking, “OK, so what year does this show take place in again?” Another point that I hated was that Maroulis had a serious case of what I call “hair wall” whenever he was Hyde. I did admire the fact that he was able to transition in-between the two characters without a hitch, but still… And my other observation was when he was Jekyll, he voice was soft and gentle and while he was Hyde, his voice was cold and cruel, which was one of the few things that I appreciated about the show. Another thing that I wanted to know was if his throat hurt from switching from voice to voice.
                The show was dark and very gothic, something that I enjoyed tremendously (seeing as how I am a GothGirl myself), but there were parts that were TOO scary for my own liking. For example, when Hyde first immerges from Jekyll, I couldn’t tear my eyes from the terrifying sight before me. Maroulis had attached several tubes to himself and was twitching and screaming as his “experimental fluids” entered his body. Hearing him shouting was enough to make me want to cover my ears and hide my face, but I didn’t want to miss out on what would happen next.
                I would also would’ve liked to have seen further development of the Board of Governors; it seemed to me that they appeared in small cameos that told the audience briefly who they were before having Hyde kill them off.
                All in all, this was an interesting show to see, but I will not go to this show again, with all the confusing modern sets and hard rock and roll music. The sets and music were also a huge distraction for me. They seemed to clash with the Victorian feel of the musical. The only reason why I would go see this show would have to be if they get all the technological modern difficulties settled out.”

So as all my lovely little snarklings can see, I can be exceptionally harsh when it comes to the theater. (Fun Fact Alert- I am majoring in musical theater!!!) I know what I like and what I don’t like.

And true to say that there really aren’t that many Gothic theater plays and musicals out there, but I would really love to see a mucisal about Dracula or based on The Crow franchise. That would be wickedly amazing…

Anyway, what I’m trying to say is that Jekyll and Hyde was the only Gothic styled show that I had ever seen. So sorry to disappoint my lovely loyal readers.

Until we meet again. In next week’s post, I shall be going over Gothic tunes.

Please feel free to follow the links that I have provided for more information on this week’s topic or email me at viktoryarozetassi@hotmail.com and check out Petite Goth Girl’s Facebook page at http://www.facebook.com/pages/Petite-Goth-Girl/150732278426333?ref=hl

And please do not hesitate to inform me of any errors that I make in my posts. I am always more than happy to accept feedback and criticism.

Gothic theater

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